Names Beginning With B

Hi, my name's Ben and my two index fingers have never touched each other.

There is, as I'm sure you're all aware, an interesting correlation between names and destiny. There are disproportionately more butchers called Butcher, as well as statistically significant alliteration linking people's names with not only their jobs (more dentists called David), but where they choose to live (like Brewers who move to Barnstaple). Hell, even my choice to give Butcher as the first example is probably because I particularly like the letter B, for some reason.

Names, like it or not, dictate a good chunk of who we are and what we become. Something with a name has an intrinsic quality and purpose, which is exactly how I feel about the album now that I've named it. A few days after first thinking I should start deciding on a title for it and starting to wrestle with a few ideas, it came very suddenly (as the best ideas do) and on a completely different path from where I'd been heading.

With such a clear and definite title in mind, the album artwork was almost obvious, really. Since there is, as they say, no time like the present, we're shooting the cover photos next week. My ability to contort my already-funny-looking face into an even more nightmarish version of itself finally paid off when it won me first prize in Andy Casey Photography's Funny Faces Competition (raising money for Children in Need along the way); part of the prize is a shoot with Andy (who I now enjoy a good friendship with, forged in the fires of the Christmas Crew), so that kind of neatly ties up with the album's needs.

This is right before I started pulling the funny face.

I'll probably start 'theming' my online presences with photos from the shoot fairly soon after they're done, so I don't want to describe the ideas too much yet; suffice to say they involve me, Joe and Frank again in a similar vein to the 'Ben Dies at The End' cover. A thought actually occurred to me a while after putting together that artwork, which I really hope no-one else has had and which I'll pre-emptively address here, hopefully not in a 'the lady doth protest too much, methinks' way. A nicely wide variety of my musical friends have contributed to what I've recorded in the past, but they're not pictured in any artwork up to now. The reason for having Joe and Frank in the cover for the last, and this, recording is pretty straightforward - the ideas for the photos need me and two other people; Joe is my brother, my best friend and always plays a large part in not only recording, but writing and producing the albums, Frank is one of my oldest friends and invariable plays on most of what I do. I hope that all kind of makes sense and it doesn't seem weird that I want to explain it; I just have this nagging awareness that people on the outside of the musical process sometimes have different interpretations of what we all do and if there's one thing I can't bear, it's misunderstandings.

As far as the actually important part of the album goes (you know, the music) I'm now done with preliminary writing for ten of the final eleven songs. One, I've written specifically for Joe to sing lead vocals on; it's a song about what we've done together and deals with his imminent departure for more Bristolian climbs. The other is a bit more lighthearted and tells a couple of stories about situations that I've found myself in that have been super fucking awkward; you're going to love it. I've also started putting together the musical foundations for the eleventh song, so it's all coming together in good time.

Over the Christmas break, along with shooting for the album artwork Joe, Frank and I are rehearsing for our (rare-as-a-group) gig on the 30th, which you should be able to find out about by clicking here. It's been literally years since we played a full-length gig together and I can't wait; we're going to be busting out a few old tunes, as well as a couple of covers (one of which is erection-inducingly good). While we're together to practice for that, we're also hoping to spend some time talking over the new album before starting recording in the couple of weeks following.

Just so you know, this jumper is not coming off over Christmas

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The rest of my Christmas week is going to be taken up with shooting a video for the acoustic song I recorded last week. The very talented Sam Brown, fresh from shooting the new SevereZerø video, is coming down for the shoot, which should fit into a couple of days - I've got a couple of loose ideas for the video, but I should kind of get those finalised before the camera starts recording, I guess.

All in all, it's going to be a pretty busy festive season - in the best way. I hope all of you lovely people have a great time and spend it doing something that makes you smile for a bit.

YOU ARE UPDATE!

- Ben

We Don't Just Get Drunk, Sometimes We Write Music

Hi, my name's Ben and I live in a small network of burrows underground.

This is totally more of a 'keeping you up to date' post, rather than a 'groundbreaking news' post (and so should be mercifully short). I spent the early part of this week testing both Joe's laissez-faire relationship with my writing process, as well as the eternal patience of his girlfriend, by putting together the demos for what songs are written for the new album.

Laying down even these rough guides for the songs moves them on to the next stage of songwriting - now that I can actually listen to them without having to just remember them, it frees up a little bit of brain space to start hearing harmonies or extra guitar lines. It also helps to hopefully pick out any sections of song that just aren't working; maybe a break's too long or a particular section doesn't have enough prominence.

The other obvious benefit to having demos for these songs is that I've got something to actually give to the other people who are going to be playing one part or another in the album's recording. Frank, Joe and I will be working on them live to start with, but then the demos give both of my cohorts something to mull over when they're going about their day. Of course, I've now got a version of Go Team to show to Jackie and Ellie, too - and that demo is probably one of my favourites so far. Not because the song itself is particularly a favourite (I'm still in the happily ignorant stage of having all of the songs holding on to an equal chunk of my heart), but because this is the only song that I couldn't really play by myself in anything resembling its final form. I seem to have a masochistic love for writing interweaving vocal lines - in the songs where I've done it before, those songs are all amongst the ones that still elicit a wave of pride when I listen to them now, but dear lord they can be a challenge to put together. Hearing the lines sit together and work on the demo (although admittedly with a rather manly-and-Bennish sound to the girls' voices) is almost a gift and although the three of us will more than likely tweak and rewrite it beyond current recognition, I can let out the first big breath of relief in this project.

Pictured: very talented musicians. And me.

With eight songs written and demoed, I've just started moving on to developing a couple more musical ideas to fill out the album. One has lyrics for a couple of sections already, the other is, I think, going to be a song for Joe to sing. A small part of me was worried that the kind of natural break that came in what has been a very smooth songwriting process so far meant that the creative sponge had been squozen dry for the time being. Luckily, though, these two ideas are so far shaping up just as quickly and smoothly as their brethren - and the feeling I'm writing a pretty good album is only growing with them.

YOU ARE UPDATE!

- Ben

One Easy Song, Three Elusive Ones

Hi, my name is Ben and I have the power to regenerate severed limbs.

A few little bits and pieces to tell you about for the new album - firstly, this is how the tracklist is shaping up so far (this is so open to change in practically every way):

The song subjects, in red, appear to be stuck in my college days.

In fact, the evening that this was drawn up, I went on to write and finish an eighth song. It came together really quickly once I started writing, partly because of how clear and crystalised the inspiration was. Maybe one day I'll tell you all about that, but for now (or at least when you get to hear it), it can just live as a song that I suppose can be interpretted by everyone in that magically ambiguous way that songs are.

Whenever a song is easy to write, or I have such a well-defined subject to write about, or an extensive and apt metaphor lands itself in my lap, I feel like I've almost been gifted the song. I've written before about how I see songwriting as more 'finding out how the song goes' and this song is a textbook example. Unfortunately, the song is also destined to be the eleventh song on the album. While I would love for the product of such an unlaboured, organic writing process to be able to fill one of the three spaces in the list above, it will only ever fit as an epilogue to what is shaping up to be a collection of songs that I'm very proud of. Trying to put the reason for this into words is kind of difficult, but it's partly to do with the nature of Nothing Wasted, Nothing Gained, partly to do with the style and subject of this new song, and on an even greater, meta-level, partly to do with the relationship between these two songs. It's a decision that ultimately fits into that greatest of artistic reasons - it just feels right.

The reason why it's an unfortunate eleventh song and why I'm bothering with struggling to justify the new song's avoidance of one of the empty three slots is mostly to justify to myself the fact that this leaves three songs still left to be written; the reason why I even need to justify that is that I need to get this album written - I have a start date for recording.

Black and white is WAY more arty.

My good friend and long-time collaborator, Frank, is stepping up once again to play drums on the album and we're going to start tracking in early January. We're going to spend time with Joe doing some live rehearsals/tweaking sessions over the next month (especially since we're playing a rare collaborative gig on the 30th) to hopefully keep the final recording process as slick and natural as possible, as well as uninterrupted too much by on-the-fly re-writes or uncertainties. 

For this album, the recording process is going to be drawn out over a much longer period than before - the plan is that once the drums are tracked, we can spend a few days (or even weeks) wrangling the written bass line so that it doesn't miss any musical opportunities that present themselves in what Frank's played. That's the plan, anyway - I refer you to the golden rule of studio recording, which is that although preparation can make the process easier on the day, everything changes once you're in the studio.

However, one thing that is (nearly) always a given is that you'll probably only record songs that you've, you know, written. Hence why I'm kind of keen to fill those three gaps. I'll let you know how that goes.

YOU ARE UPDATE!

- Ben